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goodmemory:  shiko sakakibara 榊原始更 (1895-1969)  via

goodmemory: shiko sakakibara 榊原始更 (1895-1969) via

Patternbank | Tumblr

Patternbank | Tumblr

nature no. 5

nature no. 5

Tree, New Haven, CT by Edwaste, via Flickr

Tree, New Haven, CT by Edwaste, via Flickr

Katsushika Hokusai, (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)). Horse Pattern (Koma shōbu), from the series Horses, 1822. The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (JP1393) #AsianArt100 #horses

Katsushika Hokusai, (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)). Horse Pattern (Koma shōbu), from the series Horses, 1822. The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (JP1393) #AsianArt100 #horses

Unkei Eii (Japanese, active first half of the 16th century). Inscribed by Daiko Shōkaku (Japanese, died 1535). Bird Resting on a Branch, early 16th century. Muromachi period (1392–1573). Japan. The Metropolitan Museum of Art, New York. Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 (2015.300.59) | This work is exhibited in the “Celebrating the Arts of Japan: The Mary Griggs Burke Collection” exhibition, on view through January 22, 2017.#AsianArt100

Unkei Eii (Japanese, active first half of the 16th century). Inscribed by Daiko Shōkaku (Japanese, died 1535). Bird Resting on a Branch, early 16th century. Muromachi period (1392–1573). Japan. The Metropolitan Museum of Art, New York. Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 (2015.300.59) | This work is exhibited in the “Celebrating the Arts of Japan: The Mary Griggs Burke Collection” exhibition, on view through January 22, 2017.#AsianArt100

Utagawa Hiroshige II (Japanese, 1829–1869). Copper Plate Engraving of a Woman Riding a Horse, a Goat and a Dog, March 1860. Edo period (1615–1868). Japan. The Metropolitan Museum of Art, New York. Bequest of William S. Lieberman, 2005 (2007.49.139) #dogs

Utagawa Hiroshige II (Japanese, 1829–1869). Copper Plate Engraving of a Woman Riding a Horse, a Goat and a Dog, March 1860. Edo period (1615–1868). Japan. The Metropolitan Museum of Art, New York. Bequest of William S. Lieberman, 2005 (2007.49.139) #dogs

Ryūryūkyo Shinsai, (Japanese, active ca.1799–1823). Spring Rain Collection (Harusame shū), vol. 1: Plum Tree in Bloom, ca. 1805-10. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (JP2036) | The blossoming of the plum tree was a harbinger of spring, the beginning of the New Year in the lunar calendar. #spring

Ryūryūkyo Shinsai, (Japanese, active ca.1799–1823). Spring Rain Collection (Harusame shū), vol. 1: Plum Tree in Bloom, ca. 1805-10. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (JP2036) | The blossoming of the plum tree was a harbinger of spring, the beginning of the New Year in the lunar calendar. #spring

Suzuki Harunobu, (Japanese, 1725–1770). The First Day of Spring (Risshun), ca.1768. The Metropolitan Museum of Art, New York. Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939 (JP2776) #spring

Suzuki Harunobu, (Japanese, 1725–1770). The First Day of Spring (Risshun), ca.1768. The Metropolitan Museum of Art, New York. Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939 (JP2776) #spring

Children Playing in Summer and Winter Maruyama Ôshin (Japanese, 1790–1838) Period: Edo period (1615–1868) Culture: Japan Medium: Pair of six-panel folding screens; ink, color, and gold on paper

Children Playing in Summer and Winter Maruyama Ôshin (Japanese, 1790–1838) Period: Edo period (1615–1868) Culture: Japan Medium: Pair of six-panel folding screens; ink, color, and gold on paper

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