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Paul Gauguin - Noa Noa | Paul Gauguin (French, Paris 1848-1903 Atuona, Hiva Oa, Marquesas Islands) Date: 1893-94, Woodcut on China paper, 14 x 8 1/16 in. (35.6 x 20.5 cm) - The Met, New York

Paul Gauguin - Noa Noa | Paul Gauguin (French, Paris 1848-1903 Atuona, Hiva Oa, Marquesas Islands) Date: 1893-94, Woodcut on China paper, 14 x 8 1/16 in. (35.6 x 20.5 cm) - The Met, New York

Henri de Toulouse-Lautrec, (French, 1864–1901). Jane Avril, 1893. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1932 (32.88.15) #dance

Henri de Toulouse-Lautrec, (French, 1864–1901). Jane Avril, 1893. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1932 (32.88.15) #dance

Designed, etched and published by John Hamilton Mortimer (British, 1740–1779). Musical Monster (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 (53.638.16)

Designed, etched and published by John Hamilton Mortimer (British, 1740–1779). Musical Monster (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 (53.638.16)

Henri de Toulouse-Lautrec (French, 1864–1901). Moulin Rouge: La Goulue, 1891. The Metropolitan Museum of Art, New York.

Henri de Toulouse-Lautrec (French, 1864–1901). Moulin Rouge: La Goulue, 1891. The Metropolitan Museum of Art, New York.

Dante Alighieri (Italian, ca. 1265–1321). The Vision of Hell (Inferno), 1866. The Metropolitan Museum of Art, New York. Rogers Fund, 1905, transferred from the Library, 1921 (21.36.133) #Halloween

Dante Alighieri (Italian, ca. 1265–1321). The Vision of Hell (Inferno), 1866. The Metropolitan Museum of Art, New York. Rogers Fund, 1905, transferred from the Library, 1921 (21.36.133) #Halloween

David Lucas (British, 1802–1881). Summer Morning, ca. 1830. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1939 (39.68.27) | Constable collaborated closely with the engraver David Lucas to create prints that would illustrate the "chiaroscuro of nature." The medium of mezzotint, eminently suited to the project, captures the bright sun of a summer morning illuminating a richly textured landscape, striated in light and shade.

David Lucas (British, 1802–1881). Summer Morning, ca. 1830. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1939 (39.68.27) | Constable collaborated closely with the engraver David Lucas to create prints that would illustrate the "chiaroscuro of nature." The medium of mezzotint, eminently suited to the project, captures the bright sun of a summer morning illuminating a richly textured landscape, striated in light and shade.

Charles Meryon, (French, 1821–1868).The Gallery, Nôtre-Dame Cathedral, Paris. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1917 (17.3.417) #paris

Charles Meryon, (French, 1821–1868).The Gallery, Nôtre-Dame Cathedral, Paris. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1917 (17.3.417) #paris

Marcantonio Raimondi (Italian, ca. 1480–before 1534). Designed(?) by Francesco Francia (Italian, ca. 1447–1517). Orpheus and Eurydice, ca. 1505–6. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 (56.581.12)

Marcantonio Raimondi (Italian, ca. 1480–before 1534). Designed(?) by Francesco Francia (Italian, ca. 1447–1517). Orpheus and Eurydice, ca. 1505–6. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 (56.581.12)

Louis-Marin Bonnet  (French, Paris, 1736–1793) - Girl and cat, 1769 [after François Boucher (French, 1703–1770)] - Crayon-manner engraving printed in brown ink, second state - The Metropolitan Museum of Art, NY

Louis-Marin Bonnet (French, Paris, 1736–1793) - Girl and cat, 1769 [after François Boucher (French, 1703–1770)] - Crayon-manner engraving printed in brown ink, second state - The Metropolitan Museum of Art, NY

Käthe Kollwitz, woodcut

芸術の原則,リノリウムカット,製版,エッチング,ネガティブスペース,彫刻,記録されました,顔,図面

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