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ラファエロ・サンツィオ《自画像》    第1章:画家への一歩  第2章:フィレンツェのラファエロ-レオナルド・ダ・ヴィンチ、ミケランジェロとの出会い  第3章:ローマのラファエロ-教皇をとりこにした美  第4章:ラファエロの後継者たち

ラファエロ|過去の展覧会

ラファエロ・サンツィオ《自画像》 第1章:画家への一歩 第2章:フィレンツェのラファエロ-レオナルド・ダ・ヴィンチ、ミケランジェロとの出会い 第3章:ローマのラファエロ-教皇をとりこにした美 第4章:ラファエロの後継者たち

4. Probably MARIE DE VALENGIN illégitime daughter of Philippe le Bon, duc de Bourgogne; VAN DER WEYDEN Rogier - Flemish (Doornik 1400 - 1464) ~ Portrait of a Lady (1460, National Gallery Washington DC)

4. Probably MARIE DE VALENGIN illégitime daughter of Philippe le Bon, duc de Bourgogne; VAN DER WEYDEN Rogier - Flemish (Doornik 1400 - 1464) ~ Portrait of a Lady (1460, National Gallery Washington DC)

This fine portrait in the tradition of Dürer and Holbein is attributed to Jan van Scorel (1495-1562). He was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. He was trained in Amsterdam and traveled more widely than many a modern painter. He was in Utrecht by 1517.

This fine portrait in the tradition of Dürer and Holbein is attributed to Jan van Scorel (1495-1562). He was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. He was trained in Amsterdam and traveled more widely than many a modern painter. He was in Utrecht by 1517.

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