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‘I SIT FOR TWO OR THREE HOURS AND THEN IN 15 MINUTES I CAN DO A PAINTING,´BUT THAT´S PART OF IT. YOU HAVE TO GET READY AND DECIDE TO JUMP UP AND DO IT YOU BUILD YOURSELF UP PSYCHOLOGICALLY AND SO PAINTING HAS NO TIME FOR BRUSH. BRUSH IS BORING, YOU GIVE IT AND ALL OF A SUDDEN IT´S DRY,YOU HAVE TO GO. BEFORE YOU CUT THE THOUGHT,YOU KNOW?’

‘I SIT FOR TWO OR THREE HOURS AND THEN IN 15 MINUTES I CAN DO A PAINTING,´BUT THAT´S PART OF IT. YOU HAVE TO GET READY AND DECIDE TO JUMP UP AND DO IT YOU BUILD YOURSELF UP PSYCHOLOGICALLY AND SO PAINTING HAS NO TIME FOR BRUSH. BRUSH IS BORING, YOU GIVE IT AND ALL OF A SUDDEN IT´S DRY,YOU HAVE TO GO. BEFORE YOU CUT THE THOUGHT,YOU KNOW?’

Mira Schendel

Mira Schendel

laflaneuse8:    Robert Motherwell, Beside the Sea No. 18, 1962.

Robert Motherwell, 'Beside the Sea No'. The blue sprays of paint represent the waves crashing over the blue, purple, pink and green ocean.

Jeremie Moinet 2016

Jeremie Moinet 2016

#art #artparis #arty #exposition #expositionparis #exhibition #culture #painting #peinture #musée #centre #pompidou #cy #twombly #contemporain #abstract #contemporaryart

#art #artparis #arty #exposition #expositionparis #exhibition #culture #painting #peinture #musée #centre #pompidou #cy #twombly #contemporain #abstract #contemporaryart

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