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打掛

佳き日を寿ぐ婚礼用打掛や引き振袖を調えております。吉祥文様を友禅で上品かつ華やかにあらわした千總ならではの幸せの衣裳が、花嫁を気品あふれる美しさで輝かせます。

‘Woman’s Summer Kimono (Katabira) with Irises, Pine, and Cherry Blossoms, Late Meiji period, 1868-1912, early 20th century. Ramie plain weave (choma) with paste-resist dyeing (shiroage), silk and gold metallic thread embroidery’. LACMA (Gift of Elissa Cullman in honor of Robert T. Singer)

‘Woman’s Summer Kimono (Katabira) with Irises, Pine, and Cherry Blossoms, Late Meiji period, 1868-1912, early 20th century. Ramie plain weave (choma) with paste-resist dyeing (shiroage), silk and gold metallic thread embroidery’. LACMA (Gift of Elissa Cullman in honor of Robert T. Singer)

Rinzu (damask) silk with the main designs accomplished with yuzen-dyeing and metallic couching. Late Taisho to early Showa (1918-1935), Japan. The Kimono Gallery

Rinzu (damask) silk with the main designs accomplished with yuzen-dyeing and metallic couching. Late Taisho to early Showa (1918-1935), Japan. The Kimono Gallery

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