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Lynn Redgrave's debut as Helena, in Midsummer Night's Dream, with her brother Corin & Rita Tushingham.

Lynn Redgrave's debut as Helena, in Midsummer Night's Dream, with her brother Corin & Rita Tushingham.

Sir Michael could be cruel, saying that Vanessa - pictured with her father after her West End debut - would never be an actress

The cursed legacy that still haunts Vanessa Redgrave

Sir Michael could be cruel, saying that Vanessa - pictured with her father after her West End debut - would never be an actress

Corin & Lynn Redgrave made their stage debut at The Royal Court, in Midsummre's Night Dream, directed by Tony Richardson.

Corin & Lynn Redgrave made their stage debut at The Royal Court, in Midsummre's Night Dream, directed by Tony Richardson.

Peaseblossom, costume design for A Midsummer Night's Dream, produced by R. Courtneidge at the Princes Theatre, Manchester - C. Wilhelm

Peaseblossom, costume design for A Midsummer Night's Dream, produced by R. Courtneidge at the Princes Theatre, Manchester - C. Wilhelm

poorshadowsofelysium: “ Vivien Leigh as Titania in A Midsummer Night’s Dream at the Old Vic Theatre in London. ”

poorshadowsofelysium: “ Vivien Leigh as Titania in A Midsummer Night’s Dream at the Old Vic Theatre in London. ”

Oberon, King of the Fairies in A Midsummer Night's Dream 1935

Oberon, King of the Fairies in A Midsummer Night's Dream 1935

Instead of complicated realistic sets which slowed the action of the play down every time a change was required he used simple sets, unfussy costumes, brightly-painted curtains and an apron stage. He restored fuller texts and insisted on a speedy, natural delivery of lines. Today this may not sound revolutionary, but he was reacting against the traditions of spectacular productions with an over-dependence on elaborate sets.

Instead of complicated realistic sets which slowed the action of the play down every time a change was required he used simple sets, unfussy costumes, brightly-painted curtains and an apron stage. He restored fuller texts and insisted on a speedy, natural delivery of lines. Today this may not sound revolutionary, but he was reacting against the traditions of spectacular productions with an over-dependence on elaborate sets.

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