Round Gown ca. 1795; Met 1979.20a-g. Ensemble includes gown, separate stays, sleeveless spencer, and separate sleeves (probably left over from an earlier styling of the gown), all from the same striped silk satin fabric. This is a flat view of the dress with sleeveless spencer. It laces closed in the modern style (not spiral). Eyelets embroidered; original lace? Plain white/cream lining. Back neckline higher than gown. Sweat stains show it has been worn a great deal.

Round Gown ca. 1795; Met 1979.20a-g. Ensemble includes gown, separate stays, sleeveless spencer, and separate sleeves (probably left over from an earlier styling of the gown), all from the same striped silk satin fabric. This is a flat view of the dress with sleeveless spencer. It laces closed in the modern style (not spiral). Eyelets embroidered; original lace? Plain white/cream lining. Back neckline higher than gown. Sweat stains show it has been worn a great deal.

Florine. Open dress, England 1795. Back view. Fichu-echarpe. Linen batiste, silk embroidery, France 1790's. Private collection Barreto-Lancaster(back)

Florine. Open dress, England 1795. Back view. Fichu-echarpe. Linen batiste, silk embroidery, France 1790's. Private collection Barreto-Lancaster(back)

vintage

vintage

Round Gown ca. 1795; Met 1979.20a-g. Ensemble includes gown, separate stays, sleeveless spencer, and separate sleeves (probably left over from an earlier styling of the gown), all from the same striped silk satin fabric. The shape and length of the train and the hem facing are clearly seen in this flat view. A CF skirt seam splits the embroidery. The bodice has a CF opening with drawstrings at both neck and waist. Neckline drawstring extends to the small back piece.

Round Gown ca. 1795; Met 1979.20a-g. Ensemble includes gown, separate stays, sleeveless spencer, and separate sleeves (probably left over from an earlier styling of the gown), all from the same striped silk satin fabric. The shape and length of the train and the hem facing are clearly seen in this flat view. A CF skirt seam splits the embroidery. The bodice has a CF opening with drawstrings at both neck and waist. Neckline drawstring extends to the small back piece.

18thC inspired ballgown.

18thC inspired ballgown.

Round gown Date: ca. 1795 Culture: Italian Medium: silk, linen Accession Number: 1979.20a–e, g

Round gown Date: ca. 1795 Culture: Italian Medium: silk, linen Accession Number: 1979.20a–e, g

loredo 1860's dresses. OMG!! The history geek in me is squealing!! Gorgeous!! Look at the details!!

loredo 1860's dresses. OMG!! The history geek in me is squealing!! Gorgeous!! Look at the details!!

C. 1795 Italian silk and linen round gown

C. 1795 Italian silk and linen round gown

Sew old sweater sleeves onto a short sleeve shirt or a plain long sleeve. Lovely new emphasis with colours contrasting against grey.

5/5 22時から 残りわずか*「mori」大人可愛いストライプコクーンスカート|cawaii

Sew old sweater sleeves onto a short sleeve shirt or a plain long sleeve. Lovely new emphasis with colours contrasting against grey.

Suit and Dress  1780s  The Metropolitan Museum of Art

Suit and Dress 1780s The Metropolitan Museum of Art

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