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Marcel Duchamp and Maya Deren Second Part .  Witch's cradle (1943), unfinished work by Maya Deren with Marcel Duchamp. Remember First Papers of Surrealism: same threats, same desires.

Marcel Duchamp and Maya Deren Second Part . Witch's cradle (1943), unfinished work by Maya Deren with Marcel Duchamp. Remember First Papers of Surrealism: same threats, same desires.

Ana Mendieta - Documentation of an untitled work (1972. c. The Estate of Ana Mendieta Collection, courtesy Galerie Lelong, New York)

Artifacts

Ana Mendieta - Documentation of an untitled work (1972. c. The Estate of Ana Mendieta Collection, courtesy Galerie Lelong, New York)

Mifune Toshiro and Uehara Misa - The Hidden Fortress (1958) 隠し砦の三悪人

Mifune Toshiro and Uehara Misa - The Hidden Fortress (1958) 隠し砦の三悪人

Art Preview: Ripples on the Pond, Gallery of Modern Art, Glasgow

Art Preview: Ripples on the Pond, Gallery of Modern Art, Glasgow

"La Cicatrice Intérieure", Philippe Garrel,1972.

"La Cicatrice Intérieure", Philippe Garrel,1972.

Caren Garfen ~ "Anna" (2015) cotton child-sized dress with human hair embroidery; stitched text from a diary of a young girl who is suffering from anorexia nervosa. via 2015 interview w Lexington Art League  | Artist: carengarfen.com

Caren Garfen ~ "Anna" (2015) cotton child-sized dress with human hair embroidery; stitched text from a diary of a young girl who is suffering from anorexia nervosa. via 2015 interview w Lexington Art League | Artist: carengarfen.com

1931年。映画「お嬢さん」のポスター

1931年。映画「お嬢さん」のポスター

Laurie Anderson talks about breaking rules, deep thinking, and finding inspiration in both oppressive and progressive times.

Laurie Anderson talks about breaking rules, deep thinking, and finding inspiration in both oppressive and progressive times.

Lubaina Himid among the cutouts of slaves that form her 2004 piece Naming the Money, at Spike Island contemporary art centre in Bristol.

President with a torpedo in his crotch: how the works of Lubaina Himid speak to Trump times

Lubaina Himid among the cutouts of slaves that form her 2004 piece Naming the Money, at Spike Island contemporary art centre in Bristol.

Tschabalala Self, "Untitled," 2016.

Meet Tschabalala Self, the 26-Year-Old Artist Empowering the Lives of Black Women

Tschabalala Self, "Untitled," 2016.

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