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Diego Velázquez - Three Musicians [c.1616]

Diego Velázquez - Three Musicians [c.1616]

Velázquez - Francisco Lezcano, el Niño de Vallecas

Velázquez - Francisco Lezcano, el Niño de Vallecas

Bartolomé Esteban Murillo,  NIÑOS COMIENDO UVAS Y MELÓN (1650). Pinacoteca de Arte, Munich. óleo sobre tela, 145.6 x 103.6 cm.

Bartolomé Esteban Murillo, NIÑOS COMIENDO UVAS Y MELÓN (1650). Pinacoteca de Arte, Munich. óleo sobre tela, 145.6 x 103.6 cm.

Velazquez  Las Meninas (Detail). Velazquez was possibly the first artist to record depth by the use of blurring. As they recede the figures are painted less and less distinctly. The King's reflection in the mirror is conveyed by minimal means but is nevertheless instantly recognizable.

Velazquez Las Meninas (Detail). Velazquez was possibly the first artist to record depth by the use of blurring. As they recede the figures are painted less and less distinctly. The King's reflection in the mirror is conveyed by minimal means but is nevertheless instantly recognizable.

Edgar Degas, Musicians in the orchestra - 2

Edgar Degas, Musicians in the orchestra - 2

Musicians - Henri Matisse, 1921

Musicians - Henri Matisse, 1921

http://ja.wikipedia.org/wiki/ミケランジェロ・メリージ・ダ・カラヴァッジオ

http://ja.wikipedia.org/wiki/ミケランジェロ・メリージ・ダ・カラヴァッジオ

concept-of-karma:    “A three second exposure meant that subjects had to stand very still to avoid being blurred, and holding a smile for that period was tricky. As a result, we have a tendency to see our Victorian ancestors as even more formal and stern than they might have been.”

concept-of-karma: “A three second exposure meant that subjects had to stand very still to avoid being blurred, and holding a smile for that period was tricky. As a result, we have a tendency to see our Victorian ancestors as even more formal and stern than they might have been.”

A video of some of Diego's work.

A video of some of Diego's work.

Velazquez -   Les fileuses, detail

Velazquez - Les fileuses, detail

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