Cannes Lions 2015: GP de Design fica com a Volvo e sua tinta que brilha no…

Cannes Lions 2015: GP de Design fica com a Volvo e sua tinta que brilha no escuro

Fluorescent pink & blue by James Joyce

The color of this piece is really eye catching and the texture makes the poster less flat. The color also allows for an asymmetrical design even though the type is centered.

http://imgcc.naver.jp/kaze/mission/USER/20150727/77/743697/14/707x1000xf6941534759f7151d5f0c18.jpg

http://imgcc.naver.jp/kaze/mission/USER/20150727/77/743697/14/707x1000xf6941534759f7151d5f0c18.jpg

http://eighthourday.com/blog/page/4/

Haikuglyphics / Arachnophobia / Design by Anne Ulku I dream of world peace. I also dream of giant Spiders chasing me.

Trends can be ephemeral and trivial, with designers selecting colors or typefaces based solely on what they see on Behance. At worst, a trend can be insincere and fluffy, an accusation that’s been thrown at Pantone for their combo of powder pink and baby blue (excuse us, Rose Quartz and Serenity) fo

Trends can be ephemeral and trivial, with designers selecting colors or typefaces based solely on what they see on Behance. At worst, a trend can be insincere

Pinterest
Search