Pinterest

enamel

188 Pins

3y

Collection by

Jessica Smith-Carlock

Similar ideas popular now

Ancient Jewelry

Medieval Jewelry

Antique Jewelry

Ancient Artifacts

Byzantine Jewelry, Medieval Jewelry, Viking Jewelry, Ancient Jewelry, Byzantine Gold, Enamel Jewelry, Antique Jewelry, Vintage Jewelry, Round Pendant

Byzantine Jewelry

Medieval Jewelry

Ancient Jewelry

Antique Jewelry

Vintage Jewelry

Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x Medieval Art, Romanesque Art, The Cloisters, Antique Boxes, Classic Image, Gothic Art, Casket, Art Object

Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x

MI PARAISO ESCONDIDO: RELICUARY VERMUCLE LOUVRE. Wooden Containers, Wooden Boxes, Religious Icons, Religious Art, Limousin, Art Roman, Medieval Furniture, Louvre, Painted Boxes

Wooden Containers

Religious Icons

Medieval Furniture

MI PARAISO ESCONDIDO: RELICUARY VERMUCLE LOUVRE.

Reliquiario Becket Web Gallery Of Art, Medieval World, Historical Art, Romanesque, Victoria And Albert Museum, British History

Web Gallery Of Art

Victoria And Albert Museum

British History

Reliquiario Becket

Reliquary Pendant for the Holy Thorn The British Museum, London Copyright © The Trustees of the British Museum The Holy Thorn, from the Crown of Thorns worn by Christ before and during the Crucifixion (Matt. 27:29), was a celebrated relic during the Middle Ages. The thorn in this reliquary may have come from the Crown of Thorns that was purchased by King Louis IX of France (St. Louis) in 1238 from the Latin Emperor of the Kingdom of Jerusalem, Baldwin II. Renaissance Jewelry, Ancient Artifacts, Kirchen

Renaissance Jewelry

Ancient Artifacts

Reliquary Pendant for the Holy Thorn The British Museum, London Copyright © The Trustees of the British Museum The Holy Thorn, from the Crown of Thorns worn by Christ before and during the Crucifixion (Matt. 27:29), was a celebrated relic during the Middle Ages. The thorn in this reliquary may have come from the Crown of Thorns that was purchased by King Louis IX of France (St. Louis) in 1238 from the Latin Emperor of the Kingdom of Jerusalem, Baldwin II.

Scott Pirie

Reliquary Casket with symbols of 4 evangelists Art Nouveau, Dark Ages, 12th Century

Reliquary Casket with symbols of 4 evangelists

Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x Wood Box Design, Book Of Kells, Bronze Age, Renaissance Art

Wood Box Design

Renaissance Art

Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x

A quatrefoil-shaped harness pendant of the medieval period (13-14 C). Cast copper alloy. It bears a decorative design consisting of a central six-petalled flower and adjoining foliage in each lobe. The flower is inlaid with blue enamel, and the field with red enamel. Most of the enamel survives, but the suspension loop is broken. 33.8mm x 29.6mm, 9.12g. UKDFD 44750 Metal Detecting, Medieval Dress, Quatrefoil, 15th Century, Bears, Badge, Survival, It Cast, Enamel

Metal Detecting

A quatrefoil-shaped harness pendant of the medieval period (13-14 C). Cast copper alloy. It bears a decorative design consisting of a central six-petalled flower and adjoining foliage in each lobe. The flower is inlaid with blue enamel, and the field with red enamel. Most of the enamel survives, but the suspension loop is broken. 33.8mm x 29.6mm, 9.12g. UKDFD 44750

Quatrilobed Plaque, c. 1300-1310 probably by Guillaume Julien (French) Gold, translucent enamel, Overall - h:4.80 w:4.80 cm (h:1 7/8 w:1 7/8 inches). The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson Milliken 1932.537 Cleveland Museum of Art Gold Jewelry, Celtic, Cleveland Museum Of Art

Cleveland Museum Of Art

Quatrilobed Plaque, c. 1300-1310 probably by Guillaume Julien (French) Gold, translucent enamel, Overall - h:4.80 w:4.80 cm (h:1 7/8 w:1 7/8 inches). The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson Milliken 1932.537 Cleveland Museum of Art

An artist of great skill produced these precious enamels for a wealthy patron. They may originally have been set like jewels in an altar or a reliquary or have been sewn to textiles such as altar cloths, bishops' mitres, girdles, or gloves Gems Jewelry, Jewelry Art, Jewelery, Vintage Brooches

Vintage Brooches

An artist of great skill produced these precious enamels for a wealthy patron. They may originally have been set like jewels in an altar or a reliquary or have been sewn to textiles such as altar cloths, bishops' mitres, girdles, or gloves

#BeingRoman Copper alloy zoomorphic bird brooch. Found during excavations at the amphitheatre. Roman Jewelry, Ancient Beauty, Bird Sculpture

#BeingRoman Copper alloy zoomorphic bird brooch. Found during excavations at the amphitheatre.

Corinium Museum

Corinium Museum

Reliquary Shrine, second quarter of 14th century Attributed to Jean de Touyl (French, died 1349) Made in Paris Gilt-silver, translucent enamel, paint Metropolitan Museum, Arte Popular, Cristiano, 14th Century

Metropolitan Museum

Reliquary Shrine, second quarter of 14th century Attributed to Jean de Touyl (French, died 1349) Made in Paris Gilt-silver, translucent enamel, paint

Dragonesque Brooch Roman Britain, 1st or 2nd century AD The ‘dragonesque’ form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native artistic taste. Dragonesque brooches were not only decorative objects, but also functional fasteners - a strongly-curved pin (missing on this example) would have held a thick fold of cloth. (Source: The British Musuem) Roman Artifacts, Historical Artifacts, Old Jewelry, Vintage Jewellery, Ancient Rome, Ancient History

Roman Artifacts

Historical Artifacts

Vintage Jewellery

Ancient History

Dragonesque Brooch Roman Britain, 1st or 2nd century AD The ‘dragonesque’ form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native artistic taste. Dragonesque brooches were not only decorative objects, but also functional fasteners - a strongly-curved pin (missing on this example) would have held a thick fold of cloth. (Source: The British Musuem)

Dragonesque Brooch Roman Britain, 1st or 2nd century Ad; the form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native Celtic artistic taste. Celtic Symbols, Celtic Art, Roman Britain

Dragonesque Brooch Roman Britain, 1st or 2nd century Ad; the form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native Celtic artistic taste.

Etienne

Another example of a Dragonesque Romano-British brooch. From the website's description: "The underlying, abstract, Iron Age design is that of two cornucopias, joined ‘mouth to mouth’ at the centre. However, where the ‘mouths’ of the cornucopia would have butted, the ‘S’ shape has been expanded to allow for extensive enamelling." Celtic Clothing, Ancient Vikings

Celtic Clothing

Ancient Vikings

Another example of a Dragonesque Romano-British brooch. From the website's description: "The underlying, abstract, Iron Age design is that of two cornucopias, joined ‘mouth to mouth’ at the centre. However, where the ‘mouths’ of the cornucopia would have butted, the ‘S’ shape has been expanded to allow for extensive enamelling."

Dawn - The Valence Casket, around 1290-1324 Renaissance Furniture, Painted Chest, Middle Ages, Art History, Bookbinding, Bohemian Rug, Antiques

Renaissance Furniture

Dawn - The Valence Casket, around 1290-1324

Réunion des Musées Nationaux-Grand Palais - Fine Jewelry, Fabric Gifts, Jewelry Photography, Wedding Art

Jewelry Photography

Réunion des Musées Nationaux-Grand Palais -

Roundel Date: 14th century Culture: French Medium: Champlevé enamel, copper-gilt Dimensions: Overall: 4 1/8 x 1/2 in. (10.4 x 1.2 cm) Classification: Enamels-Champlevé

Roundel Date: 14th century Culture: French Medium: Champlevé enamel, copper-gilt Dimensions: Overall: 4 1/8 x 1/2 in. (10.4 x 1.2 cm) Classification: Enamels-Champlevé

Gorny und Mosch Cloisonné-Technik.11,75g, L 3,2cm. Runder Anhänger mit breiter Öse Vorderseite Büste von Christus mit Nimbus, Codex und Segensgestus, r. u. l. Inschrift: IC - ΧC (= Jesus Christus). vierblättrige Kreuzblüte, in den Zwickeln Dreiecke. Gold! Intakt. Aus Münchner Privatsammlung Zur Ikonografie: L. Wamser (Hrsg.), Die Welt von Byzanz - Europas östliches Erbe (2004) S. 155. Vergleichsstück: G. Haseloff, Email im frühen Mittelalter (1990) S. 69 Abb. 44c.

Gorny und Mosch Cloisonné-Technik.11,75g, L 3,2cm. Runder Anhänger mit breiter Öse Vorderseite Büste von Christus mit Nimbus, Codex und Segensgestus, r. u. l. Inschrift: IC - ΧC (= Jesus Christus). vierblättrige Kreuzblüte, in den Zwickeln Dreiecke. Gold! Intakt. Aus Münchner Privatsammlung Zur Ikonografie: L. Wamser (Hrsg.), Die Welt von Byzanz - Europas östliches Erbe (2004) S. 155. Vergleichsstück: G. Haseloff, Email im frühen Mittelalter (1990) S. 69 Abb. 44c.

Byzantine Antependium, Altar cloth, 12th century Basilica San Marco; Venice, Italy Byzantine Art, Byzantine Icons, Art Antique, Antique Books, Ancient Romans, Ancient Art, Origin Of Christianity, Christian Artwork, Archangel Michael

Byzantine Icons

Origin Of Christianity

Christian Artwork

Archangel Michael

Byzantine Antependium, Altar cloth, 12th century Basilica San Marco; Venice, Italy

Trendy Diamond Rings : Beautiful Renaissance diamond ring in gold with polychrome enameling. c. 1580. Currently at Ranger's House, England Renaissance Era, Jewelry Accessories

Renaissance Era

Jewelry Accessories

Trendy Diamond Rings : Beautiful Renaissance diamond ring in gold with polychrome enameling. c. 1580. Currently at Ranger's House, England

BYZANTINE JEWELRY 13TH CENTURY St Demetrius within a gold and enamel pendant reliquary, Byzantine, 13th century. St Demetrius lying in his shrine in the church of his name at Thessaloniki. The enamelled panel with the saint is actually a hinged flap which opens to reveal a gold effigy of the saint and a place for his relics. Vintage Items, Wiccan Jewelry

BYZANTINE JEWELRY 13TH CENTURY St Demetrius within a gold and enamel pendant reliquary, Byzantine, 13th century. St Demetrius lying in his shrine in the church of his name at Thessaloniki. The enamelled panel with the saint is actually a hinged flap which opens to reveal a gold effigy of the saint and a place for his relics.

A BYZANTINE GOLD AND ENAMEL DISK CIRCA 10TH-12TH CENTURY A.D. Originally an element in a necklace, the round box setting containing a cloissoné enamel six-point rosette of red, green and white enamel on a blue ground, with a row of granulated triangles along its lower edge, with two opposing attachment loops of coiled wire 11/16 in. (1.8 cm.) diameter

A BYZANTINE GOLD AND ENAMEL DISK CIRCA 10TH-12TH CENTURY A.D. Originally an element in a necklace, the round box setting containing a cloissoné enamel six-point rosette of red, green and white enamel on a blue ground, with a row of granulated triangles along its lower edge, with two opposing attachment loops of coiled wire 11/16 in. (1.8 cm.) diameter

Chasse with Christ in Majesty and Apostles Date: ca. 1190–1200 Geography: Made in Limoges, France Culture: French Medieval Paintings, Coffer, Art Icon

Medieval Paintings

Chasse with Christ in Majesty and Apostles Date: ca. 1190–1200 Geography: Made in Limoges, France Culture: French

A ROMANO-BRITISH ENAMELLED BRONZE OWL FIBULA 2ND CENTURY A.D. The owl facing right with head turned to the front, large circular eyes and projecting beak, the body recess with remains of blue inlay, the eyes with weathered glass pupils 1¼ in. (3.2 cm.) long Roman Goddess Of Love

Roman Goddess Of Love

A ROMANO-BRITISH ENAMELLED BRONZE OWL FIBULA 2ND CENTURY A.D. The owl facing right with head turned to the front, large circular eyes and projecting beak, the body recess with remains of blue inlay, the eyes with weathered glass pupils 1¼ in. (3.2 cm.) long