a pair of "Kai-Awase" tell you about "Genji Monogatari" which was written in the 11th century.

a pair of "Kai-Awase" tell you about "Genji Monogatari" which was written in the 11th century.

"Kai-Awase" with 10yen coin which is about 24mm

"Kai-Awase" with 10yen coin which is about 24mm


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Kutani Cup and Saucer Japan early 1900's - exquisite - simply stunning design and colour.

Kutani Cup and Saucer Japan early 1900's - exquisite - simply stunning design and colour.

"Kai-Awase" tells you about "Genji Monogatari" written by Shikibu Murasaki in the 11th century.

"Kai-Awase" tells you about "Genji Monogatari" written by Shikibu Murasaki in the 11th century.

Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao); 17th century Tosa school

Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao); 17th century Tosa school

Satsuma Porcelain Scenic Forest Vase  Elite Decorative Arts  1034 Gateway Blvd., Suite 106  Boynton Beach, FL 33426  Ph: 561-200-0893  Fx: 561-536-4123  E-mail: info@eliteauction.com

Satsuma Porcelain Scenic Forest Vase Elite Decorative Arts 1034 Gateway Blvd., Suite 106 Boynton Beach, FL 33426 Ph: 561-200-0893 Fx: 561-536-4123 E-mail: info@eliteauction.com

A CLOISONNÉ BOWL  MEIJI PERIOD (LATE 19TH CENTURY)  Worked in gold and silver wire, cloisonné enamels, goldstone on a mottled ground with panels of kingfishers, butterflies, dragons and cranes and inset with chrysanthemums in red and white, the exterior with a continuous band of chrysanthemums between lappets, ring foot, copper gilt mounts 19cm. diam.

A CLOISONNÉ BOWL MEIJI PERIOD (LATE 19TH CENTURY) Worked in gold and silver wire, cloisonné enamels, goldstone on a mottled ground with panels of kingfishers, butterflies, dragons and cranes and inset with chrysanthemums in red and white, the exterior with a continuous band of chrysanthemums between lappets, ring foot, copper gilt mounts 19cm. diam.

This is Japanese noodle that is called "Soba"

This is Japanese noodle that is called "Soba"

A pair of small ovoid cloisonné enamel vases by Namikawa Yasuyuki, Meiji Period Both worked in silver and gilt wire and decorated with a matching design, the body with eight tapering panels of differently-coloured grounds of yellow, coffee brown, speckled green and semi-transparent red, scattered with overlapping foliate and floral roundels, stylised butterflies and foliate scrolls, the neck and foot with formal patterns on a midnight-blue ground, applied with gilt-metal mounts

A pair of small ovoid cloisonné enamel vases by Namikawa Yasuyuki, Meiji Period Both worked in silver and gilt wire and decorated with a matching design, the body with eight tapering panels of differently-coloured grounds of yellow, coffee brown, speckled green and semi-transparent red, scattered with overlapping foliate and floral roundels, stylised butterflies and foliate scrolls, the neck and foot with formal patterns on a midnight-blue ground, applied with gilt-metal mounts

A pair of cloisonné enamel jars  Meiji period (late 19th century), attributed to the workshop of Namikawa Yasuyuki (1845-1927) Each jar of bulbous form decorated in polychrome enamels and gold and silver wires with panels of beige, brown, speckled green and orange designed with scattered roundels of flowers and butterflies, the shoulder with a floret pattern and the foot with a band of stylized lotus petals

A pair of cloisonné enamel jars Meiji period (late 19th century), attributed to the workshop of Namikawa Yasuyuki (1845-1927) Each jar of bulbous form decorated in polychrome enamels and gold and silver wires with panels of beige, brown, speckled green and orange designed with scattered roundels of flowers and butterflies, the shoulder with a floret pattern and the foot with a band of stylized lotus petals

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